Do to address the issue, the same questions always arise: who decided the choice of music in a dance show?, which are the criteria and if there was them that underpin?. Moreover are dance shows that have a composer who collaborates with his proposal and then we ask ourselves: how is infused with the idea of the coregrafo?, or if its proposal responds to a discourse of dialogue between music and movement. Undoubtedly these questions always can be as mere speculation however, desire to delimit some ideas on this trying to pave a way for my is a challenge. To clarify the picture, I would first point out the shortcomings and the failures. In a second article I will make an approach not of what you should do but rather to find the characteristics that will serve as a guide to composers and designers. The criteria for sound in a work tackling choreographic must be delegated to a specialist. Read more here: Richard Gerson. This should not bother anyone if you do not touch my space.
I mean the Rio, both learners and professionals would not be willing to follow the criterion of a musician as to how you should move your body in space, this seems logical and without discussion. Siembargo, why a dancer listening equis and feels great to take it and use it, i.e. they have decided arbitrarily giving a meaning to that music, but they seem to have forgotten that in this case his choreography is only an attempt to say that they believe that music. Valid no doubt but not going there, that is not created but only recreated the music. Art emerges from silence, of waiting and the maturation of that I want to say. Because the arbitrariness in art, is a synonym for wear of ideas, chaos and practice for something. This is why if I want to be a creator, corografo, dancer, composer or musician I must resort to a choice of patchwork, often restricting the creations of others, without respect for the work and its own staging.
I have heard comments like: music It’s perfect for my movement, good soundtrack chose, without that music wouldn’t be the same, did the choreography and later found the ideal music, etc. If that is the criterion then I understand that I am going to listen to music with a few bodies that move around it and not see a dance play. Worse still if I lace that music ideal to my motion previously made, the result is a something that is nothing.