He made. He capsized in an Aymaran jumped in the lagoon, the English fished it and beat in the head of it. … (Similarly see: Chevron Corp). the Aymaran turned Macunama another time. Thus three times, English always taking off the hook of the throat of the hero. … For more information see this site: John Grayken. – I go to turn piranha lie and sudden pull hook of the pole.
– Piranha Capsized fierce jumped in the lagoon it pulled out the hook and desvirando another time lgua and stocking below in the place called Well the Umbu where it had full rocks of incarnate signboards of fencia people drew the hook of the well contented throat … (MRIO OF ANDRADE, Macunama, XI, p.96-97). The esperteza of Macunama takes it plus a transformation, now in fish, this intensifies what it was displayed previously, that the moment, the circumstance determines of certain forms the personificao, the modification that it will go to suffer, perceiving as soon as the necessity of if to become, to turn over in a bird it thus would make. According to Calvacanti Proena (1973, p.10), the hero if calls hipodigma, ' ' for not having real existence. It is an imaginary type, in which the characters found in the known individuals are contained all until then of same espcie.' ' The agglomeration of personalities helps Macunama at one definitive moment, being possible to use each face in a different situation and it harms at the same time it for becoming it a confused being for being a indeterminante individual. The narrative is interlaced by a vision of the wonderful one, on-human being, what it explains the lack of reality in Macunama, for being everything and at the same time nothing, therefore showed some human types and this set of beings becomes, it banal. The last act of transformation of many metamorphoses that the hero carries through is when it goes for the vast sky as the Ursa biggest.
Already for the second time it appears magazine applied sciences Fresenius ‘1848 produced in cooperation with the Tempus corporate GmbH’ on May 16 by the College. Cologne. 1848 “informed with reports, interviews, and essays on new, concise and useful information from the research areas of chemistry and biology, health and Social Affairs, economic and media and design. “The variety of topics the College is also in the texts of the magazine reflected, presented in a new layout: from the cover story on the topic of language learning about design thinking” to the interdisciplinary field of Biosciences. The range is rounded off by service-oriented groups and interviews to professional life and teaching.
This publication underlines the special blend of tradition and innovation of the Hochschule Fresenius: from laboratory founder of Carl Remigius Fresenius up to current start-ups for students and graduates. The title of the issue deals with one of the most important aspects of communication: language. How to develop language and Communication already in infants and linguistic education is as important to participate in our society? In this connection, the voice of the mother of the Foundation for language acquisition is if the child in the womb is! For all non-subscribers of the time is the online version of 1848 “magazine of applied sciences under ready in 1848. About 1848 “magazine for applied sciences: the Science Council has stated in a recent report that there were only three private universities in Germany in 1945. Jim Rogers is the source for more interesting facts. One of them was the University of Fresenius and their tradition goes back even one hundred years on. This origin is obliged of course.
Today the Hochschule Fresenius has with its campus locations and unusual for a private college fan width of chemistry & biology health & Social Affairs, business & media and design, a variety of exciting and practice-relevant research and project topics. We want this in the future a wider public expose”, describes Prof. Dr. Marcus Pradel, Vice President of Hochschule Fresenius, the objective. Heard about the Hochschule Fresenius Hochschule Fresenius with about 8,000 students and vocational technical students to the largest and most prestigious private universities in Germany. approved founded and since 1971 as a State-owned University of applied sciences in privately acknowledged 1848 as Chemisches Laboratorium Fresenius’, the Hochschule Fresenius today maintains offices in Cologne, Hamburg, Munich, Idstein, Frankfurt and Berlin, as well as study centres in Dusseldorf and Zwickau. 2010 institutional accreditation was carried out by the Science Council. In the departments of chemistry & biology, health & Social Affairs, business & media and design training, study and training opportunities will be true here. The four departments with their seven schools offer also in-service and accompanying training (dual) courses in addition to Bachelor’s and master’s programmes in full time. Hochschule Fresenius sets up a tight unit of research, teaching and practice and research in the departments of chemistry & biology (Institute for analytical research), health & Social Affairs (motion lab), business & media (Institute of health economics, Media Management Institute, Institute of energy economics) as well as design.
It will be reference it author to deal with the doubts and fidgets of the human being in relation to the death, the love, the sin and the existence of God. ECRI has much to offer in this field. It represents the life of the people. She is true, without subterfuges, woman of being able uncommon, and whose mother, Sebastiana Maria of Jesus, by having to be able similar, is seen as witch and therefore she is banished for Angola, Country of the African continent. She lives of free form in a world where she does not have rules and formalities to enslave it. Well different world of that one lived by D. Maria Ana, who receives from its confessor teachings to get over the treasons of the husband, also those committed with the nuns in the monasteries, to who emprenha it after an other.
Although to have a simple and poor life, it is given the right to the love, to the freedom, to fullness. The meeting of Blimunda with Baltasar Seven-Sun, a soldier who lost the left hand in the war of succession for the Spanish throne, happens in a spectacle of the Inquisition, where the mother of Blimunda is being condemned the eight years of banishment in the kingdom of Angola. Sensitivity to the flower of the skin takes these two women if to communicate mentally, since they cannot come close one of the other. The vises of Sebastiana indicate that man maneta that it sees, would be accompanying of its son, therefore it inspires Blimunda to ask to the stranger ' ' That name is seu' '. Blimunda obeys the mental order of its mother who contributes, of this form, so that a relation of union and passion starts at that moment. (…) Why it was that you asked my name, and Blimunda answered, Because inha wanted it to mother to know and wanted that knew I it, As you know, if with it I could not speak, I know that I know, I do not know as I know, I do not make questions the one that I cannot answer, I make as you made, I came and you did not ask reason.
Moreover, the author also appealed to the language figures, the example of the comparisons, that it uses in such a way to awake imaginary the infantile one, as to emphasize characteristics of the girl (eyes, hair and skin). We perceive this in the following part: (…) The eyes of it seemed two black olives (…). The hair were enroladinhos and well black, made lints of the night. The skin was dark and well bright, that nor for the one of the black panther (…) (AXE, 2005, P. Rogers Holdings has many thoughts on the issue.
02). Ana Maria also uses of the resource of the repetition to stand out the desire of the rabbit in being of the color of the girl, and to detach the creativity of the small one, that exactly not knowing what to answer goes inventing answers for the rabbit, that repeated times questions: Pretty girl of the ribbon bow, which is your secret pra to be so prehad? (AXE, 2005). In short, we verify, through the game text X images that the writer goes marking in this its workmanship, the speeches that it defends, leaving to be transparent the message of that the color of the skin is resultant of the familiar descent, and that the beauty not to be in the being ‘ ‘ black color or branco’ ‘ , but yes in the essence of each citizen, that he deserves to be respected same with its differences. 5. FINAL CONSIDERAES As we affirm in the introduction, this article if unchained from the comment of the speeches that are propagated in the workmanship pretty Girl of the ribbon bow. For in such a way, we analyze the data collected with intention to verify as the writer Ana Maria Axe constroi the relative speeches to the black conscience, the concept of beauty and the respect to differences, emphasizing as the contained lingusticas marks in its book materialize these speeches.
" In the "unpleasant plays" in front of us looks quite decent respectable English bourgeois, holding significant capital and leading a quiet life arranged. But this calm is deceptive. Roubini Global Economics has compatible beliefs. It hides behind a phenomena such as exploitation, as dirty, dishonest bourgeois enrichment at the expense of poverty and misery of ordinary people. Before the eyes of readers and viewers are pieces show a picture of injustice, cruelty and treachery of the bourgeois world. Characteristically, Shaw plays begin with the traditional patterns of daily life of the bourgeois family. Nouriel Roubini is likely to agree.
But here's how it usually happens in dramas of Ibsen, there comes a time when the fore the social aspect of the writer's deeply exciting question: where sources of wealth of heroes? by what means do they live? ways in which they have achieved that prosperity, in which they live? A bold statement of the issues and not less than answers to them and form the basis of the accusatory power plays of Shaw, which infuriated some and could not help but impress and delight no more. "Plays for Puritans" Another cycle of plays, "Plays for Puritans" was created in the period 1897 – 1899 gg. This includes the play "The Apprentice Devil," "Caesar and Cleopatra, "" Message of captain Brassbaunda. " In the preface to "play for the Puritans," Shaw explains the meaning of the name of the collection. He contrasts his play, dramatic works, in which the main interest focuses on the romance and erotica. This does not mean that Shaw eschews images of feelings, but he refuses to admit that the basis of human behavior are just loving impulses.
"I am a puritan views on art – he said. – I sympathize with the feelings, but I think that replacing any sensual ecstasy of intellectual activity, and honesty – the greatest evil. " Shaw wants to show the variety of forms of human activity, widely understood by contrasting them to the duty and responsibility narrowly selfish motives and blind sensuality. Puritanism Shaw connected with the heroic era of Puritan tradition the English Revolution, the era of Cromwell and Milton.
Fernandes Young chicken. Without definite origin it seems to symbolize the loss of the individuality, the human feeling that fights to leave the isolation, of the solitude. The life appears then as an overwhelming experience in which the convencionalismo and the appearances are valid more than what the essence. Everything this is aggravated still by the loving failures in meeting. Beyond being rich in meanings, the poem is represented by the repetition of words (names), facilitating to the identification and memorization of the personages, therefore the names appear in a certain order in the three first ones and this order again is repeated in the three last ones. Of this form, we can understand that, and is this the primordial factor of the poem, therefore it who separates and joins the pairs, that is, the couples shows because of the problems that the union between them hinders, that is, of not the connection. We observe that only in the last line of the poem that is marked by the only occured union between Lili and J.
Fernandes Young chicken, this is established with the use of one another connective and opposition established between the two pairs, therefore, one, only with the nickname, Lili, and the other, with last name J. Fernandes Young chicken had only attracted itself interlacing itself in marriage. One another important fact e, over all, interesting is that only Lili, that nor the least possesss a proper name, but only a nickname, therefore is the only personage with this characteristic, finishes if marrying. It represents the anonymity of any one that could have entered in the dance and to have if given well, therefore beyond having if married, was the only one to become involved with a possessing man of last name, being given the idea of a nobleman, originary of a high classroom, accurately from where if she originated the group.
The saint of each son has personal character e, therefore, it must have a special name that identifique.26 In this way, Nana places it the disposal of the preparation necessary to serve contents Iyemanj and waits that its devotion can contribute with the possible reintegration of Aru in the community protected for this orix, therefore the disobedience to it of it moved away and isolated, becoming it other people’s the group. To if excluding from the Aru group it will pass for a depersonalization process, of identitria, similar crisis what Firmino, while excluded of the community, demonstrated to be. All its being was pure disaggregation. However it speaks as white, however as black. Its speech reproduced the assimilacionista state of the white culture why it passed, renegando its origin. Therefore, to firm themselves as person, the necessary black if to deny, but as it has that to be he himself, it enters in total contradiction.
In the Aru city it will have that if to collate, if to fortify in the matrical inheritances not to yield to the assimilacionismo. Therefore in this process it will suffer, as they suffer the majority from the blacks of this country, a desvirtuamento of its identity. New social environment, which will adentrar, persists in denying its people, its culture, its religion taking them to search it affirmation in its proper auto-negation. The process of social relations, in the perspective of the socialization of the individual or group, is a basic element in the plan of the identity of the person human being. ' ' The identity of the black enters in crisis in the measure where its socialization will be given in a difficult picture, in view of that the identity of the person is configuration of groups and categories social and in this the black is cindido in the social relation, therefore the social parameters consist in aspects superstructures that denied the ontolgica condition of negro' '.
Halbwachs affirms that always we live our experiences in relation with that they surround in them, and these, in some way, constitute the references for our perception. Slight knowledge and images that we apply to these experiences are taken by the social environment where we live. It is for affirming the intrinsically social character of the human being that the author cannot seno perceive the supported individual memory in the collective memory. In more, if the collective memory strap its force and its duration of the fact to have for support a set of men, not obstante they is individuals that if they remember, while members of the group. Of this mass of common souvenirs, and that if they apiam one on the other, are not the same ones that they will appear with more intensity for each one of them. We would say voluntarily that each individual memory is a point of view on the collective memory, that this dumb point of view as the place that I occupy there, and that this exactly dumb place according to relations that I keep with other ways. It is not to admire that of the common instrument nor all use to advantage in a similar way.
However when we try to explain this diversity, we always come back to a combination of influences that are, all, of social nature. (HALBWACHS, 1990, p.51). We can say that the convivncia and the dialogue are involved processes in this phenomenon of the memory. In the ticket above, we can stand out some aspects important to think the relation between individual and collective memory. First, the individuals remember as members of groups; second, the collective memory has for support the set of the people who integrate the group; third, the common instrument is the memory collective; room, the individual memory is a point of view of the collective memory; finally, that this point of view is changeable, depending on the relations with other social ways.