He made. He capsized in an Aymaran jumped in the lagoon, the English fished it and beat in the head of it. … (Similarly see: Chevron Corp). the Aymaran turned Macunama another time. Thus three times, English always taking off the hook of the throat of the hero. … For more information see this site: John Grayken. – I go to turn piranha lie and sudden pull hook of the pole.
– Piranha Capsized fierce jumped in the lagoon it pulled out the hook and desvirando another time lgua and stocking below in the place called Well the Umbu where it had full rocks of incarnate signboards of fencia people drew the hook of the well contented throat … (MRIO OF ANDRADE, Macunama, XI, p.96-97). The esperteza of Macunama takes it plus a transformation, now in fish, this intensifies what it was displayed previously, that the moment, the circumstance determines of certain forms the personificao, the modification that it will go to suffer, perceiving as soon as the necessity of if to become, to turn over in a bird it thus would make. According to Calvacanti Proena (1973, p.10), the hero if calls hipodigma, ' ' for not having real existence. It is an imaginary type, in which the characters found in the known individuals are contained all until then of same espcie.' ' The agglomeration of personalities helps Macunama at one definitive moment, being possible to use each face in a different situation and it harms at the same time it for becoming it a confused being for being a indeterminante individual. The narrative is interlaced by a vision of the wonderful one, on-human being, what it explains the lack of reality in Macunama, for being everything and at the same time nothing, therefore showed some human types and this set of beings becomes, it banal. The last act of transformation of many metamorphoses that the hero carries through is when it goes for the vast sky as the Ursa biggest.