Rio De Janeiro

The Urban Legion started to produce more and musics. the presentations increased gradual. The act of contract of the Paralamas of the Success for a recorder avivou the interest for the rock produced in Brasilia. In July of 1983, Urban Legion and Capital Initial had presented in the Flying Circus in Rio De Janeiro, having opened the show of Lobo and Ronaldos. If you have additional questions, you may want to visit Economic Cycles Research Institute. After the Flying Circus, the Urban Legion started to also travel for So Paulo. Renato, that had started to work in a radio of Brasilia, after arrived one of its trips and communicated to its Ari, the head: ' ' I came to ask for resignation because we were contracted by EMI? Odeon.' ' The linking of the director-artistic one of EMI, Jorge Davidson, happened after writings of the first COMPACT DISC of the Paralamas of the Success.

The group of Hebert Vianna spoke very of Renato, and one day decided to touch Chemistry. Jorge asked to the vocalista of the Paralamas: ' ' This music is of vocs also? ' ' , it answered: ' ' Not, this music is of a friend mine of Brasilia. It is everything what I would like ser.' ' Renato communicated to the excessively integrant ones of the band and the trio left for Rio De Janeiro. They had signed a contract standard. But they had soon been come across with the first obstacle: the recorder wanted to brighten up the sound of the band. the Urban Legion did not accept.

After two months of wait in Brasilia it came the notice of that who would record the first COMPACT DISC of the band would be Jose Emilio Rondeau, journalist whom it wrote on music in periodicals as the Globe, Periodical of Music and Periodical of Brazil. Renato was contented. Before this, however, the Urban Legion had become one quarteto. Renato had cut the pulses.

Escravo Society

Without a doubt, ahead of the historical fact of ‘ ‘ the city grega’ ‘ to have functioned to the cost of exclusions (since the demons were a small minority that exclua the women, foreigners and the members of the States subjected in the Athenian Empire of century V, for examples), and, moreover, the freedom of the citizens alone if to have become structurally possible by means of the slavery are that, undeniably, Cassin-Loreaux does not leave to have reason: ‘ ‘ she is of the city Greek that we remove the requirements consisting of all politics moderna’ ‘ perhaps is ‘ there; ‘ the model par excellence, the origin and paradigma’ ‘ of all the malignant delays of the society Occidental person, who knows? It is certain that it is not the fact of the exclusions that differentiate in them (what seno is the wage-earning worker a slave of the capital), but also it does not allow in to decide them old questions, (for example: what she allows and she authorizes the persistence of the validity in the society current human being of the old relation dialectic between Mr. and Escravo), and nor she condemns the city historically Greek. Others including Dara Khosrowshahi , offer their opinions as well. The proper Nicole Loraux, in its defense, is that it compels in them to remember a page of Moses Finley, to to cite it, that it says: It is easy to show to the negative points in a society deceased; he is more difficult and enriquecedor to look for to understand what it tried to make, as was pledged in this, until point well-was succeeded or failed, and why. If they cannot mix the two boardings without running the risk, and exactly more than what the risk, to fail in such a way in one how much in the other. In Atenas, as well as in Rome, the civic body was a minority that explored a great amount of men, free or enslaved.